What Sharon brought us
A shoebox of 287 handwritten letters, written to her husband Joel between his pancreatic cancer diagnosis and his death thirteen months later. Three false starts on her laptop. A daughter who kept telling her the letters were a book and a son-in-law who didn’t think they were. Forty-two years as an ICU nurse, which meant her vocabulary around hospitals was technically correct in a way most memoirs of illness are not.
What she did not bring
A structure. An outline. Any conviction that she was a “writer.” A clear sense of who the book was for. The shoebox felt like an artefact, not a manuscript, even to her.
The work
Six recorded interview sessions. Maya printed every letter and read them aloud during the sessions, asking Sharon to talk around each one — the day, the conversation behind it, the time of night she wrote it, what Joel said the next morning. The transcripts ran to 41,000 words.
The structural decision came in week three. Maya proposed two timelines: the year of the illness (linear), and the forty years before (selectively, in service of the year). Every chapter would carry both. The letters themselves, set in italics, would appear inside the chapters at the point in the year they were written. The bookend was already in the shoebox: the last letter, written the morning after Joel died, talking to him as if he was still listening.
From outline approval to delivered manuscript: 14 weeks. The voice did not require recasting. Sharon’s voice was on the page from chapter one because Maya was taking it directly from the interview transcripts. Sharon read the first chapter and called Maya at 11pm to ask “how did you get this right.”
The launch
Marcus designed the cover around a single image: a window, looking out, with a folded letter on the sill. No people. The title in a soft serif at the top. Print and ebook both. Clara handled the Amazon launch on a $1,800 ad budget over 30 days. The category-page positioning was Memoir > Personal, not the broader Memoir > Family, which would have put Sharon up against far larger marketing budgets. The narrower category was the call that worked: she became a top-3 book on that page within four days.
The 247 reviews in 90 days came organically — Clara did no review-trade scheme. Most of them mention Joel by name. Several came from people who’d been ICU patients in the same hospitals Sharon worked in. One came from a former colleague.
What Sharon is doing now
Writing a second book, slowly, with no ghost. She knows how to do it now. We expect to see it in 2027.