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90,000–130,000 words · from $14,200

Historical fiction that gets the period right and reads modern.

Research-first. Period-accurate. Writers paired by era and region. A fact-check pass before line edit.

You have a period, an event, or a real person at the centre. You want a novel that respects the history without becoming a history lesson.

Historical fiction mood

What historical fiction feels like, in five frames.

Visual reference for the voice, palette, and reader mood the books in this category live in.

Sub-genres we work in

The historical fiction categories with their own conventions.

Sub-genres each have their own structural rules, word-count norms, and reader expectations. We assign by sub-genre, not just by parent.

Sub-genre Tudor / Elizabethan Sub-genre Regency / Victorian Sub-genre American Revolution / Civil War Sub-genre World War I / II Sub-genre Ancient world (Rome, Greece, Egypt) Sub-genre Medieval Sub-genre Cold War Sub-genre Asian historical (Tang, Edo, Joseon)

Genre conventions

The rules we will not break unless you ask.

Every category has conventions its readers expect. The right time to break them is on purpose, with eyes open. The wrong time is by accident.

  • Research dossier in week one. Primary sources, secondary sources, period dialogue references.
  • Era-paired writer. Tudor specialist writes Tudor; WWII specialist writes WWII.
  • Fact-check pass before line edit, by a different reader.
  • Period dialogue without performative archaism. Modern readers find Ye Olde Englishe tiresome.
  • Real historical figures used responsibly. Conversations they did not have are clearly fictional and signposted.

Sample covers

Historical fiction covers we shipped this year.

Each cover is a real project. Drag through to see the visual language we work in for this category.

  • Historical fiction title — cover concept 1
  • Historical fiction title — cover concept 2
  • Historical fiction title — cover concept 3
  • Historical fiction title — cover concept 4
  • Historical fiction title — cover concept 5
  • Historical fiction title — cover concept 6
  • Historical fiction title — cover concept 7
  • Historical fiction title — cover concept 8

Comp titles

Books that share your shelf, and the choice we'd ask you to make about which one to compete on.

On the discovery call, we ask which two of these your book most resembles, and which one you refuse to be compared to. The answer shapes the outline.

  • Wolf Hall Hilary Mantel
  • The Underground Railroad Colson Whitehead
  • Pachinko Min Jin Lee
  • The Nightingale Kristin Hannah
Historical fiction — what a project looks like 01:08 60-second tour of a historical fiction engagement from outline to launch.

Historical fiction — FAQ

Questions we get from historical fiction authors every week.

How do you handle real historical figures in fiction?

Two rules. First, real people only appear in scenes consistent with their documented record; speculative interiority is fine but speculative actions need a clear plausibility line. Second, an author's note at the back of the book signals what is documented and what is invented.

Do you do research yourselves or expect me to?

Both. We do primary research for the writer's reference; you bring whatever family papers, museum visits, or specialist contacts you have. Some projects benefit from a domain historian on retainer for $1,200–$2,800.

Period-appropriate dialogue without being unreadable?

The trick is vocabulary and syntax, not phonetic spelling. Mantel does this brilliantly; she does not use ye and forsooth. We work the same way.

Other genres

Twelve in total. Different team for each.

Ready when you are

Ready to talk about your historical fiction project?

A 30-minute discovery call with a senior editor — no sales script, no pressure. We'll tell you whether we're the right fit for your project, what it would cost, and how long it would take.