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85,000–125,000 words · from $13,400

Sci-fi that respects the science and the reader.

Hard SF, space opera, cyberpunk, climate, near-future. World-building bible, technical consultants for the categories that need them.

You have a future. You have a technology or a discovery. What you need is a writer who can build a society around it and not undercut the science with a lazy plot.

Science fiction mood

What science fiction feels like, in five frames.

Visual reference for the voice, palette, and reader mood the books in this category live in.

Sub-genres we work in

The science fiction categories with their own conventions.

Sub-genres each have their own structural rules, word-count norms, and reader expectations. We assign by sub-genre, not just by parent.

Sub-genre Hard SF Sub-genre Space opera Sub-genre Cyberpunk Sub-genre Climate fiction / solarpunk Sub-genre Near-future Sub-genre Alternate history Sub-genre First contact Sub-genre Time travel

Genre conventions

The rules we will not break unless you ask.

Every category has conventions its readers expect. The right time to break them is on purpose, with eyes open. The wrong time is by accident.

  • Technology rules locked early. The reader notices when you bend them.
  • World-building bible covers political economy, climate, and the consequence of the technology, not just the technology.
  • Information dump is the cardinal sin. Exposition is delivered through character, not paragraph.
  • Hard SF gets a domain consultant; space opera gets internal consistency; cyberpunk gets tone.

Sample covers

Science fiction covers we shipped this year.

Each cover is a real project. Drag through to see the visual language we work in for this category.

  • Science fiction title — cover concept 1
  • Science fiction title — cover concept 2
  • Science fiction title — cover concept 3
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  • Science fiction title — cover concept 5
  • Science fiction title — cover concept 6
  • Science fiction title — cover concept 7
  • Science fiction title — cover concept 8

Comp titles

Books that share your shelf, and the choice we'd ask you to make about which one to compete on.

On the discovery call, we ask which two of these your book most resembles, and which one you refuse to be compared to. The answer shapes the outline.

  • Project Hail Mary Andy Weir
  • The Three-Body Problem Liu Cixin
  • A Memory Called Empire Arkady Martine
  • Ancillary Justice Ann Leckie
Science fiction — what a project looks like 01:08 60-second tour of a science fiction engagement from outline to launch.

Science fiction — FAQ

Questions we get from science fiction authors every week.

Hard SF or soft SF?

Different reader, different writer. We pair a hard-SF project with a writer who has a STEM background or a working knowledge of the field; we pair space opera with a writer whose strength is voice and pace. We will tell you which we think you need on the discovery call.

Do you have domain consultants?

Yes, for biotech, AI, climate, and orbital mechanics specifically. A consultant pass adds 4–6 weeks and $1,800–$4,200 to the project. Worth it for projects where the science is the point.

How long should sci-fi be?

85–125k for first book of a series. Space opera trends longer; near-future tends shorter. Standalones can run shorter still.

Other genres

Twelve in total. Different team for each.

Ready when you are

Ready to talk about your science fiction project?

A 30-minute discovery call with a senior editor — no sales script, no pressure. We'll tell you whether we're the right fit for your project, what it would cost, and how long it would take.