Book editing services
Four levels of editing, real editors with real bibliographies. We start with a $250 sample edit so you can see the work before paying for the full pass.
30–80 poems for a full-length; 16–28 for a chapbook · from $1,800
Single-author collections, themed chapbooks, and contest-ready manuscripts. Edited by working poets.
You have fifty or eighty or a hundred poems. You suspect they are not yet a book. What you need is an editor who can see the through-line and help you order the manuscript so it works as one piece.
Poetry mood
Visual reference for the voice, palette, and reader mood the books in this category live in.
Sub-genres we work in
Sub-genres each have their own structural rules, word-count norms, and reader expectations. We assign by sub-genre, not just by parent.
Genre conventions
Every category has conventions its readers expect. The right time to break them is on purpose, with eyes open. The wrong time is by accident.
Sample covers
Each cover is a real project. Drag through to see the visual language we work in for this category.
Comp titles
On the discovery call, we ask which two of these your book most resembles, and which one you refuse to be compared to. The answer shapes the outline.
Services for this genre
Four levels of editing, real editors with real bibliographies. We start with a $250 sample edit so you can see the work before paying for the full pass.
Manuscript becomes print PDF and EPUB. Working files, not just exports. Reflowable ebook that doesn't break on Kindle Paperwhite.
Custom book covers designed for the Amazon thumbnail first, the bookstore shelf second. Three concepts, two revisions, all rights to you.
The studio
Poetry — FAQ
Small-press submission is usually the better path for poets who want institutional recognition (prizes, MFA-job currency, reviews in The Rumpus). Self-publishing works well for poets with an audience already (Instagram poets, spoken-word performers) and is fine for personal projects. We will tell you honestly on the call which path fits.
Line editing tightens individual poems. Manuscript editing orders the collection, identifies which poems do not belong, and shapes the arc. Most first collections need manuscript editing more than they need line editing.
Yes — poetry typesetting has its own conventions (page breaks per poem, table of contents formatting, generous margins) that fiction typesetting does not. We use a poetry-trained typesetter.
Other genres
Memoirs work when one specific reader feels seen. Ours work because we interview the author into the chapters that aren't on the LinkedIn page.
Letters from the Last Year by Sharon Linen Fordham
The right business book wins a Series B, closes a multi-year keynote pipeline, or repositions a founder for an acquisition. The wrong one sits in a box. We write the right one.
Operating Under Constraint by Miguel Torres Velasco
Children's writing is where most adult writers fail. Word count is constraint, not freedom. We have a Chronicle-trained lead who reads every manuscript to a real seven-year-old.
The Soft Hour by Aliyah & Joseph Bremer
Fantasy writing and editing by people who actually read fantasy. Outline-first, world-building bible, series-friendly.
The Salt Throne by Priya Narayan-Chen
Mystery and thriller writers who plot the book first and write the prose second. Plot holes cost readers; we don't write them.
The Verdict Room by Deborah Ngozi Okafor
Romance writers who deliver the genre's promises on schedule. Trope clarity, beat placement, heat-level transparency.
Ready when you are
A 30-minute discovery call with a senior editor — no sales script, no pressure. We'll tell you whether we're the right fit for your project, what it would cost, and how long it would take.